Category Archives: Writing

Moore

crushed, contorted, and clobbered

the surge of stunning snaps

splinters of sanctuary

stolen

 

bruised, broken, and battered

sobbing in the streets

riptide of random ruin

razed

 

My heart and thoughts go out to those who are suffering following the disastrous tornado in Moore, OK. 

Leave a Comment

Filed under Writing

Writers, what is there to be afraid of?

391px-DementorDHP2Do you often feel like one of these fellas are in hot pursuit whenever you post some of your fiction for all the world to see? If so, then this post–born from my posting to my blog Chapter 1 of Out of the Sea yesterday–is for you. I’m going to go into a bit of history here, so bear with me.

When I was in college (strange to look back and realize this was about ten years ago now), I started to write fiction regularly. I got my start the way so many self-respecting nerds get their start in fiction writing, and that is writing fan fiction. (Note to all fan fiction writers–I do not mean to say that fan fiction is only rudimentary. It isn’t–it’s just a great place to begin the path to writing fiction.) I wrote Harry Potter fan fiction and I loved learning how to develop plots, write compelling descriptions and dialogue, and build a story from the comfort of a world I knew so well.

From there, I started wanting to create my own fiction–my own worlds. I migrated into writing my own fantasy stories, which then became writing horror stories (mainly to satisfy an obsession with zombies as a literary device). I was happy to post all of this anywhere and everywhere for the world to see and I didn’t care what happened if someone didn’t like it. Granted, I’m always happy to receive constructive criticism, but mean comments that weren’t helpful at all didn’t get me down.

Then I began writing historical fiction, which I love. It takes a lot longer, sure, because there is a fair bit of research involved and sometimes it’s really tricky to nail down a particular fact (especially when you can’t get any response from a museum that isn’t within a reasonable distance). Maybe it’s because it’s more work for me to write historical fiction, or maybe because I feel as though I’ve found the genre that I really love to write, but I noticed yesterday that when I posted that chapter on my blog, my heart started to race a little. I got nervous.

What if you, my wonderful readers, don’t like it? What if there are mistakes? What if, what if, what if…?

Then I had an awesome, calming thought. If you don’t like it, you won’t read it. You’ll skip my Sunday posts for the next couple months while I post this story. Can’t please everyone all the time. If there are mistakes, hey, I haven’t gone through and completely edited everything yet because I’m still writing the novel. I’ll fix ‘em, whether they’re internal to the book or related to some research rock I’ve not yet turned over. Sure, I could wait until it’s done, but here’s the thing about self-publishing. I have to set my own deadlines. If I know that every Sunday, I have to post a chapter (whether or not you are among the folks who may want to read it), then every week I will write. I will edit. I will post and get over this nervousness that happens from putting my brain-baby out into the world.

Posting a chapter that may need improvement is my patronus charm. It’s my way of repelling the dementors of doubt. And then, I might have some Nutella, because as we all know, chocolate makes the cold feelings disappear.

Harry_Potters'_Patronus

nutella

Leave a Comment

Filed under Writing

Out of the Sea, Chapter One

William, March 1887

“We’re nearing Cape Horn,” Thomas walked up to where William leaned over the rail along the deck of the Vance Thurgood.  “See the water?”

Pushing back a few strands of light brown hair—it’d grown longer since they set sail–William watched as tiny white caps cascaded over their crests like so many falling mountain peaks.  Nodding, he replied, “Maybe something interesting will happen for once.”  The ship had, at first, been a place of excitement for William.  He’d been vaguely familiar with ships all his life, growing up so near the seaport.  However, his father had never brought him aboard the Vance Thurgood, or any other whaling ship.  The deck wasn’t so different from most other ships, except for the tryworks, where the whale blubber would be cooked down into oil, if and when they managed to catch a whale.

Davits, or wooden arms, arched over the sides of the deck.  On many ships, these held smaller boats, and in the case of a whaling vessel that was no different.  The whalers would be lowered to the water using pulleys that hung from the davits.  So too would platforms be hung so that the crew could move alongside the ship during the cutting in.  William had once asked his father to describe the process.  “Imagine dozens of men,” his father had begun, “crawling all over these platforms like ants on a log newly rolled over, carving the whale into smaller pieces so as to get it on board the ship.  If you think harpoons are sharp, they’re nothing to the tools used for the cutting-in.”  He still had not witnessed a cutting-in, so had only the memory of his father’s description to slake his curiosity.

Below deck, the whaling ship had a forecastle, or fo’c’sle as it was commonly called, which was located toward the bow, and that’s where the crew ate every day and slept every night.  Upon first boarding the ship, William thought it seemed bigger than he’d imagined—now it seemed tight and cramped after six months at sea.  Moving aft below deck were the cabins, and yet another level below contained such things as the blubber room and ballast.  He’d thoroughly explored all the nooks and crannies of the ship where he had access, and the novelty of being at sea had worn off months ago.

The wind brought his thoughts back to the present as it caused ropes to snap taut against the masts.  He could hear the ship creak and groan against the rudder and idly wondered how much wind it would take to cause the rudder to snap.  The wind smelled saltier too, almost as though William had stuck his head into the waves but could still draw breath.  Even without the approaching wall of cloud-cover, he could tell a storm was indeed fast approaching.

“I know you think it was a waste of time coming along,” Thomas was saying, “but it will get more exciting once we get around to the Pacific and can start actually working.”

Scoffing in reply, William straightened.  He was taller than his friend by almost a head.  “Did you forget why we’re here?  Not for whales.  For my father.”

Thomas held his hands up in surrender and shook his head.  “I didn’t forget.  Quiet about it though.” He nodded aft, past William’s shoulder.

Turning, William spotted Tobias, the first mate.  He frequently looked down his perfectly straight nose at everyone else on board, and now was no exception.  He’d made William’s list of people to avoid months ago.  Sighing, William replied, “Fine.  Maybe we’ll at least hit a storm and then I’ll have some repairs to make.  I need to do something.”  He glanced at the sky.  The sun was still shining but he knew from his father’s tales that near to the Cape, the weather could change at the drop of a hat.  The last six months had been spent sailing south.  They’d stopped once in South Carolina for three days, where William had spent almost the entirety of his time at a local bethel, a sort of library where sailors could rest from their travels without worrying about engaging in less virtuous endeavors. Thomas suggested that they might glean some information if they went with the others to a tavern, but William wasn’t keen on wasting what little money he had on drink.

Instead, they’d written letters home to Catherine.  William’s missive was short as he’d been unwilling to admit to finding out nothing thus far regarding their father’s death.  Now, as they approached a stretch of water most sailors tried to avoid, he wished he’d found out something.  “What if our ship is taken and I die without ever finding out who killed my father?”  William turned back to the water, staring into the grey-blue and vast beyond.

“You’d be in no worse shape than you’re in now.  Besides, storms around these parts are likely.  Not much we can do to avoid them and I’d be surprised if we didn’t hit any at all.  But just stay below deck when you’re not on watch, Greenhand,” he teased.  Thomas had tried to teach his friend the finer points of navigating and steering the ship, but to no avail.  Opportunities for a cooper who served also as an oarsman were rare.

“That seems boring.”  William sighed even as the wind whipped up around him, filling the sails.  The ship lurched forward and he staggered a couple of steps.

“Johnson,” Tobias called, “looks like you still don’t have your sea legs!”  he chortled before continuing toward the bow.

I wish I could move like him aboard the ship.  I might, if I didn’t have to go below deck every time we reach rough waters.  He said nothing in return to Tobias, as usual.  He wasn’t here for an argument, William reminded himself, as he turned to descend the steep and narrow stairs that led below deck.

Stooping to walk the confining corridor, he made his way toward the fo’c’sle.  Walking much of the length of the ship didn’t take long, particularly when everyone else was already above deck.  His cabin, as he thought of it, was shared with four other men; Thomas, who slept on the bunk above his, and a man named Michael and another named Walter.  It wasn’t even a room, but rather a bank of bunks, separated by the rest of the fo’c’sle by a navy canvas curtain.  He barely spoke to the other two men, as he thus far knew little about who he might trust beyond his friend from home.

Thomas continually reminded him that he’d have to start talking to the others if he wanted to find out what happened to his father.  None of their cabin mates were old enough to have been on board then, though, so he doubted there was much sense in getting to be friends with them.  One of the harpooners was definitely old enough—his hair was so white that on a cloudy day, William almost couldn’t see it—and of course he knew Tobias and David, the first and second mates, had been aboard ten years ago when his father died.  Aside from them, that left only Captain Matthews that he knew of, but he supposed there might be others.  The crew itself was fairly small with only twenty-six men including the Captain and mates.

Talking with the crew members wasn’t easy.  As cooper, his work didn’t necessarily align with theirs so there wasn’t the same sense of camaraderie that Thomas had found in the last half year.  What was more was that coopers made almost as much as mates when it was time to split the ship’s profits.  For this voyage, he would take home roughly one fiftieth of the ship’s profits, whereas much of the crew were lucky to see half of that.  He had to find some way to close the distance between himself and the rest of the crew, but right now, all William could think about was the storm raging against the outside of the ship.

The sun was hidden now behind the growing clouds, but William could still tell that it was late afternoon.  Might as well try to sleep a bit before the watch bell rings.  Even if a storm hit, he doubted he would be excused from his usual shift.  He stretched out on his bunk–it always felt good to lie down after walking around below deck.  Even though his feet hung over the end, there wasn’t anything forcing him into a stooped position.  Thankfully, the deck below this one, where he would be constructing most of the barrels, was a bit roomier.

He stared at the bottom of Thomas’ bunk.  The blank, almost white space allowed his mind to wander.  He thought about his father and tried to picture him aboard the Vance Thurgood.  Upon coming aboard the ship, he’d asked for his father’s bunk, but another sailor already claimed it.  The bunks were all the same, except some featured striped mattresses while others were solid colors.  He’d hoped though that the connection to his father would strengthen his resolve.

William fidgeted, even as the ship moved around him with each rise and fall though the unease of the ocean had little to do with his restlessness.  “Six months at sea and I’ve learned nothing,” he muttered to no one in particular.

“Oh, I don’t know about that,” a voice argued.

William sat up so quickly he cracked his head into the bottom of Thomas’ bunk.  He cussed, winced and pressed his palm to his forehead.  “It’s rude to sneak up on people,” he began to suggest before looking to see who it was.  “Oh, Michael…nevermind.  I…sorry.”

Michael was short and William often thought he must have been born to be aboard a ship, where he didn’t have to duck at all to get through the tight spaces.  His shoulders were nearly as broad as the corridor, which William thought rather fitting as winding the winch that lifted the anchor was typically left to him.  Michael shook his head and moved to sit on his own bunk.

“Aren’t you on watch?” William rubbed his head where he could already feel a bump forming.

Nodding, he answered, “I am, but Thomas asked me to come and check on you.  He said you seemed unsteady.  Well, more than usual.  He’s taking over part of my shift.”

Why didn’t Thomas come down himself?  Could it be that he was regretting bringing me aboard, as they’d thus far found out nothing surrounding a death that occurred so long ago?  Twelve years, to be exact.  “Ah.  Well, I’m not all that good at sailing.”

“Most of the lads aboard the Thurgood have been sailing since they could walk.”  He tends to exaggerate, William cautioned himself silently.  “At any rate,” Michael continued, “you wouldn’t want to learn how to bring a whale in, would you?  The Captain would never go for sending you out on a boat but…if you’re bored, you could help with the cutting in when we catch one.”  The ship rocked hard to port.  William rolled back and Michael had to brace himself to keep from falling off of his bunk.  “Then again, perhaps you’ll have repairs to make before long.”

William felt bad hoping that there’d be something to fix.  He’d had work once in the last half year, and it was just to strengthen a weak board.  Three nails had done the trick.  Three nails and ten minutes.  If they’d been catching whales, he’d be busy.  Before a whaling ship left the seaport, most of the barrels were taken apart for easier storage.  As whales were caught and blubber cooked down into oil, those barrels had to be put back together—and it would take a cooper’s skill to complete the task.  Likewise, water barrels would be used and so the blubber casks would replace them as the ship’s ballast throughout the journey, and the water barrels would be disassembled.  “Maybe you’re right.  I’ll ask the Captain about it after we get out of this storm.”

“It hasn’t even really hit yet,” Michael stood and offered a dark grin before he left.

Lying back down, William thought about what might be the best way to approach Captain Matthews.

1 Comment

Filed under Out of the Sea, Writing

Out of the Sea: Prologue

William, September 1886

“Who can that be?” Today’s newspaper lay half folded across William Johnson’s knees. He’d been combing through its pages for work at a cooperage near Fishtown; his apprenticeship had ended eight days prior, and he could not keep working so close to his master’s shop. The visitor rapped knuckles against the wood again, the silence between each knock shorter, more urgent.

Standing, he folded the paper and settled it upon a table beside the chair. Once his father’s chair, the soft, supple leather was lined with thin cracks like an aged face. William thought of his father as he walked out of the parlor and into the foyer. They shared the same first name, but his father had been a whaler, and his face lined not with age but from years of wind, the spray of the sea and smiling. William remembered his father often smiling until the corners of his eyes crinkled. Other differences in their appearance were minor: William wore his hair long, and kept it tied back whereas his father’s hair was cropped short, often uneven from his cutting it himself. Everyone in the family had dark hair and light eyes, but William was the only one with hazel eyes.

Squeezing the latch, he pulled the door open. “Thomas,” he smiled, “come to see Catherine, hm?”

“You, actually.” Thomas walked through the doorway. “If I may.” William noticed his friend wringing his hands, and the crease of his brow. Thomas was short, but carried himself as though he was the tallest man in the room—his back was always perfectly straight and he never craned his neck to look at anyone taller than himself. Some thought this gave him an angry expression but after so many years of friendship, William knew better.

“Of course. What’s happened?” Stepping aside, William offered to take his friend’s coat but his friend seemed disinclined to part with it, leaving him to let his hands drop to his sides.

“I’m here about your father.” Thomas did not budge from his spot in the foyer, and pushed his hands into his pockets. When William did not answer, he continued. “He was murdered.”

A sharp tone hummed in his ears. William wasn’t sure if he heard his friend correctly. His eyes focused on the striped wallpaper beyond Thomas’ right shoulder as he remembered the day, nearly ten years ago, that Captain Matthews stood in this very spot to tell his mother about his father’s death. He and Catherine had spied the scene from their hiding place in the parlor doorway halfway down the foyer corridor. “No, you must have it wrong,” he breathed out, wiping the fresh perspiration from his forehead. “My father died at sea. Captain Mathews said as much himself; he’s a friend of our family’s and wouldn’t lie about such a thing.”

“But he didn’t say how he died. Catherine has told me this before, that your family never really knew the reason. Doesn’t look good, does it, murder aboard his ship? How can you be sure that—”

“You’re wrong, Thomas. Captain Matthews wouldn’t keep it from us if my father had been murdered. Catherine and my mother are upstairs. Perhaps you should leave if you don’t plan on visiting with my sister.”

Thomas shook his head. “I cannot stay now. I’m signing up for Matthews’ ship, the Vance Thurgood. Why don’t you come with me?”

“I’m no whaler.”

“I know. But you’re a cooper now, and a ship always needs a cooper.”

“I think you’d better go now, Thomas.” William reached in front of his friend to open the door, in no mood now to entertain a guest, even if it was his brother-in-law to be. Before Thomas could leave, he asked one more question. “Why didn’t you tell Catherine?”

“I thought I’d speak to you first about it, to see if you ever had any suspicion that your father’s death might have been…something more. I will tell her, unless you want to.”

“No, don’t tell her. It’ll only upset her and besides, if anyone tells her it ought to be me.” Thomas opened his mouth, presumably to protest, but William just shook his head and asked him to come back tomorrow. “I need to think.” He stood at the open door, thinking about the newspaper folded over the arm of his father’s chair. He recalled in his mind’s eye the tiny section listing work needed in various areas of Connecticut.

He thought about his father. Is it better to seek the truth, or let my father’s spirit rest? If he died, William knew he would want someone to seek justice on his behalf…but he also knew that had there been a murder at sea, it was the Captain’s job, ultimately, to seek justice. Was it possible that Captain Matthews did not know the truth…or perhaps he was hiding it? This notion set William on edge. His stomach churned. His heart beat hard against his ribcage. A moment passed before he realized he was clenching and unclenching his fists at his sides. William forced a deep breath and then shut the door before going upstairs to sleep.

Over breakfast in the dining room the next morning, William stood and cleared his throat. Both his sister and mother looked up from their plates. “I have news,” he began, standing from his chair at the head of the table. He glanced toward the wall behind his mother, where a painting depicted the roiling sea beneath a darkening sky. His eyes darted across the room to a portrait of his father and he wished he was making this announcement in a different room. He couldn’t decide whether it looked as though the smooth brush strokes which described his father’s face carried displeasure or concern, or whether he was simply imagining it. So many times, as a boy, he’d looked upon that portrait as though it were his father, here in the flesh. In the man’s long absences, he sometimes found himself whispering pleas for advice at the painting.

“What is it, William?” his mother asked, having turned back to her breakfast in the wake of his hesitation. Ella Johnson was a pale and drawn woman, at least these days. Illness came and went as frequently as the rain, and he worried that his decision might further weaken her, but he couldn’t simply disappear without an explanation.

“I am joining the crew of the Vance Thurgood as their cooper for the next trip out.” Silence met his proclamation, growing heavier with each passing second. The clock in the corner behind him ticked and tocked, and he could hear his own blood rushing in his ears. Catherine was the first to voice her disapproval.

“No, you cannot. You cannot leave us for so long, William. And not on that ship.” She pushed her chestnut-colored hair over one shoulder. Typically she wore it in a loose bun but today it was braided. William traced the contours of the plait with his eyes; it was easier to do that than to look at her eyes, which were usually a soft blue but this morning, following his announcement, had cooled until they were like shards of ice.

His mother, Ella, said nothing, though her eyes filled with tears. “We need the money,” William stated quietly and evenly. “And I need work.”

Catherine stood so quickly that her water glass tipped, spilling a miniature ocean across the table. She hastened to mop up the spill with her napkin, glaring up at him. “Go to Stonington for work, if you must.”

“There’s no work for me in Stonington. Besides which, work is not my only compelling reason to go.” William sat back down. Catherine is getting too agitated about this, he worried. He needed her to calm down, for the sake of their mother at least.

Ella finally spoke. “What other reason can there be? First I lose your father aboard that ship—will you be next? I say to you, William, if you board that vessel I will not speak to you again.” Threatening a lifetime of not speaking had always been Ella’s last resort tactic to encourage her children into compliance. This method always worked in the past.

Not today, William decided. “Father was murdered aboard that ship and I intend to find out who was responsible. Thomas came here yesterday and we both plan to sail on that ship—”

“No!” Catherine’s interruption stopped her brother. “I will not permit both you and he to go aboard that ship. Years, William, years. He and I intend to marry in June. Besides, this is ridiculous. Wherever did you get the notion that Father was murdered? And why wouldn’t Thomas not come to see me? Tell me himself?”

“Thomas overheard it. He didn’t tell you because I asked him not to.”

“William Johnson, you had no right!” she threw the wet napkin down at his feet.
He frowned. “Look, I am going; you don’t have to believe me but you won’t change my mind. Thomas went to sign up this morning—I expect he’ll be calling soon to tell you.” He turned toward Ella. “Mother, I am certain you will speak to me again. I will be gone long enough for you to forgive me.” He tried to catch her eye, but Ella looked away.

“Father died long ago, William. Let him rest.” Catherine pushed away from the table and strode out of the dining room. Ella left more quietly and soon William sat alone with his plate. He did the only thing he could think to do, which was to eat; it might be a long while before so sumptuous a meal was laid before him. The Vance Thurgood was to sail on the following morning’s tide. After he finished eating breakfast, William picked up Catherine’s chair and the napkin before he went to sit in his father’s old chair.

The leather was smooth under his fingers; he couldn’t even feel the cracks he could see. “How you must have longed to sit here again,” he murmured. “How you must have thought you someday would. I will find out how you died, and if you were murdered, I will find your killer, Father. I swear it.”

Leave a Comment

Filed under Out of the Sea, Writing

I found an old poem…

Judging by when I emailed this poem to myself, I wrote it on July 15, 2010. This poem lay forgotten because the email account I used at the time was compromised to the point where I had to shut it down. Still, I had some of them archived with another email address, waiting to be discovered. This is a rough draft–I am posting it unedited because it feels right to do so. I think I will bring it with me to the next poetry workshop, and, since I haven’t gone to that club all year, it will be very fitting, I think, to bring with me a re-discovered poem.

Sinking Suspicions
 
Proudly we raise anchor
Cheerful as the engines propel
Increase knots per hour
All the while we sing
We dance, we dine
We revel in uncommon beauty
Addicted to rumors
Of flawless design
 
An icy mountain grows
From beneath the sea
Waves crash against the base
Jagged edges hidden
We surge forward
Gripped by hubris, fate now sealed
By the time we spy the danger
There can be no retreat
 
Grab hold of a life vest
Or frayed ends of rope
Jump into the boats
As they pull away from her side
Take a deep breath
Before the cold takes you
Feel your stomach jump
As the stern jolts
 
The bow is sunken
A dread weight
On borrowed time
The others cry
You watch the hull
Disappear below white caps
The ice mountain looms
Blotting out moonlight
 
Near a century later
Some still cannot see the signs
And sail blindly toward their doom
Save our souls, we should cry
Our silence bred
Concentration needed to
Hand carve our lifeboats
The Titanic sinks again.

Leave a Comment

Filed under Writing

Mapping the Main Plot Whitepaper

Apologies it wasn’t posted up yesterday. It was finished but I ended up being out of town and couldn’t get it up online before today. To view the whitepaper, please click here.  Thank you–I’d love to hear your feedback!

Leave a Comment

Filed under Writing

Excited to Announce a New Site!

After recent life changes and a trip to Burlington, VT to help my sister move from Brooklyn to quite northern New England, I decided to act on the thoughts I’ve been having lately (as in for the last few years) of actually starting to do something with travel writing. I’ve had some experience before, but always very stuck to the guidelines of whoever I was writing for–and in some cases the writing was just blurbs about a city I’d never actually been to.

I talked a lot with my sis and her friend about this idea, and tried to buy the domain “travelingtypewriter.com.” Turned out someone owns it (and several others I tried) already. I wound up coming up with Scribe Travels (which I actually like better anyway). I’ve already posted a write up of Burlington. My write ups will be created with the 20- and 30-something travelers in mind who may not have the budget to stay in a 5-star resort or go to uber expensive restaurants, but still want to get a feel for the places to which they travel.

At some point, I will install a guest-writing application too, because I think no budding travel writer should have to deal with the requirement of having been at it for years already just to share what he or she loved learning about the world. I encourage constructive criticism, and I encourage your travel stories as well.

*I won’t be posting links to each post on this blog so if you want to stay up to date with Scribe Travels, please follow that site in the handy side-bar widget. Thanks!

Leave a Comment

Filed under Writing

The Pros and Cons of Agency Writing

Writing professionally is one of the most rewarding jobs I’ve ever had, whether it’s on a full-time or part-time basis. It isn’t just about “the writing life,” but rather it’s about doing something that is both fun and challenging. It’s about learning, not only how to be a better writer with every scrap of work completed, but learning more and more about the world and different topics. There are lots of ways to earn some cash while writing, but I’ve found that, ultimately, if you’re not happy doing the work, the money isn’t worth it. I thought that today I’d discuss the pros and cons of writing for an agency.

Pros

  1. Consistent work: One of the greatest fears associated with freelancing is that you can never be sure when you’ll have a dry month, work wise. If you write for an agency, there is a much stronger chance that you will always have work to do because agencies typically have folks on staff whose sole job is to sell the agency’s services. You don’t need to worry that this will be the month that your 80/20 rule doesn’t pay off.

     

  2. Consistent pay: Pay isn’t just about frequency, but reliability. Being that an agency usually takes payment in advance for work, you can be pretty certain that you’ll get paid when the work is complete.

     

     

  3. Legal protection: Unless you sign something that says differently, agencies may provide legal protection for work you complete. I don’t mean this in the sense of protecting your IP rights, because usually agency work is ghostwriting so you don’t have any IP rights to the content you produce once you submit (sell) it to the agency. What I mean is that often, you are protected from liability suits regarding the work. (Disclaimer: I am not at all authorized to give advice on legal matters. I’m not a lawyer, never have been. It’s never a bad idea to have one look over contracts if you’re not sure about the clauses.)

 

Cons

  1. Working with a “middle man:” This usually means you don’t have direct contact with the client. Sometimes you’re not allowed to contact the client, so if you have questions about a work order, you have to communicate through the agency. Why is not having to worry about customer service a con? If the agency promises a 2-day turnaround, and you have questions, that extends the time which can either shrink your deadline or displease the client, leading to less work being ordered in future.

     

  2. Generally lower pay: Don’t forget: the agency has to take its cut. An agency isn’t a charity (unless it is, but then if you’re writing for one that is, you’re not at all concerned about pay anyway). If they are paying you $0.03/word, chances are they’re also earning the same. Does that necessarily mean you could make $0.06/word on your own for the same type of content? Maybe, maybe not—but it’s definitely worth considering.

     

     

  3. Less autonomy: When an agency assigns you a work order, you can sometimes send it back if you feel unqualified, or if the topic doesn’t justify the required word count (after all, sometimes less is more). However, send back too much work and the agency will start to wonder if you want to work for them after all. Working on your own, you can always turn down a job if it doesn’t fit or if you are ethically or morally opposed.

Leave a Comment

Filed under Writing

Freelance Writing Gigs Pinboard

I’m going to be uploading freelance writing gigs on my Pinboard. There are a few up there already. You can also see which ones I pin if you follow me on Twitter (@mmcnelliswrites) in case you don’t want to join Pinterest just to get access. I don’t post many of them, because I only post those which pay well and seem to be on the up and up.

I won’t be posting them on my blog anymore because…quite frankly, I forget! Also it’s more likely I’ll cull out closed postings on my pinboard than on old blog posts. Anyway, I hope you find some to apply to, fellow writers, and happy writing!

On another note, my favorite living author, Ken Follett, posted a video to his FB today. What a great writing space! Who wouldn’t want to be there?

What is your writing space like?

Leave a Comment

Filed under Gigs, Writing

100 Books, 2 Years

One thing I’ve always wanted to do is read as many classics as I can. My high school and college education, though thorough, could only cover so much.

So, over the next two years, I will read 100 books deemed as some of the greatest, and write reviews for them on my blog. Why two years? Because I work full time and have many other hobbies, including my own fiction writing…and really, that’s just about a book per week.

Now comes the issue of which list. There are plenty to choose from, but as I do love the BBC and feel they have yet to lead me astray with their programs and presentations, I’m going to follow their list. Some of these I’ve already read, but not in awhile and not from a critical point of view, so I’m going to reread them if necessary. I will start at 100 and work my way back to 1. Of course, the rate may be different depending on length so reviews probably won’t go up every week to the day.

I invite you to join me on this quest and see if these 100 books are the greatest in your opinion. (If you want to see the Big Read page for yourself, you can visit it here.)

Here’s the list:

1. The Lord of the Rings, JRR Tolkien

2. Pride and Prejudice, Jane Austen

3. His Dark Materials, Philip Pullman

4. The Hitchhiker’s Guide to the Galaxy, Douglas Adams

5. Harry Potter and the Goblet of Fire, JK Rowling

6. To Kill a Mockingbird, Harper Lee

7. Winnie the Pooh, AA Milne

8. Nineteen Eighty-Four, George Orwell

9. The Lion, the Witch and the Wardrobe, CS Lewis

10. Jane Eyre, Charlotte Brontë

11. Catch-22, Joseph Heller

12. Wuthering Heights, Emily Brontë

13. Birdsong, Sebastian Faulks

14. Rebecca, Daphne du Maurier

15. The Catcher in the Rye, JD Salinger

16. The Wind in the Willows, Kenneth Grahame

17. Great Expectations, Charles Dickens

18. Little Women, Louisa May Alcott

19. Captain Corelli’s Mandolin, Louis de Bernieres

20. War and Peace, Leo Tolstoy

21. Gone with the Wind, Margaret Mitchell

22. Harry Potter And The Philosopher’s Stone, JK Rowling

23. Harry Potter And The Chamber Of Secrets, JK Rowling

24. Harry Potter And The Prisoner Of Azkaban, JK Rowling

25. The Hobbit, JRR Tolkien

26. Tess Of The D’Urbervilles, Thomas Hardy

27. Middlemarch, George Eliot

28. A Prayer For Owen Meany, John Irving

29. The Grapes Of Wrath, John Steinbeck

30. Alice’s Adventures In Wonderland, Lewis Carroll

31. The Story Of Tracy Beaker, Jacqueline Wilson

32. One Hundred Years Of Solitude, Gabriel García Márquez

33. The Pillars Of The Earth, Ken Follett

34. David Copperfield, Charles Dickens

35. Charlie And The Chocolate Factory, Roald Dahl

36. Treasure Island, Robert Louis Stevenson

37. A Town Like Alice, Nevil Shute

38. Persuasion, Jane Austen

39. Dune, Frank Herbert

40. Emma, Jane Austen

41. Anne Of Green Gables, LM Montgomery

42. Watership Down, Richard Adams

43. The Great Gatsby, F Scott Fitzgerald

44. The Count Of Monte Cristo, Alexandre Dumas

45. Brideshead Revisited, Evelyn Waugh

46. Animal Farm, George Orwell

47. A Christmas Carol, Charles Dickens

48. Far From The Madding Crowd, Thomas Hardy

49. Goodnight Mister Tom, Michelle Magorian

50. The Shell Seekers, Rosamunde Pilcher

51. The Secret Garden, Frances Hodgson Burnett

52. Of Mice And Men, John Steinbeck

53. The Stand, Stephen King

54. Anna Karenina, Leo Tolstoy

55. A Suitable Boy, Vikram Seth

56. The BFG, Roald Dahl

57. Swallows And Amazons, Arthur Ransome

58. Black Beauty, Anna Sewell

59. Artemis Fowl, Eoin Colfer

60. Crime And Punishment, Fyodor Dostoyevsky

61. Noughts And Crosses, Malorie Blackman

62. Memoirs Of A Geisha, Arthur Golden

63. A Tale Of Two Cities, Charles Dickens

64. The Thorn Birds, Colleen McCollough

65. Mort, Terry Pratchett

66. The Magic Faraway Tree, Enid Blyton

67. The Magus, John Fowles

68. Good Omens, Terry Pratchett and Neil Gaiman

69. Guards! Guards!, Terry Pratchett

70. Lord Of The Flies, William Golding

71. Perfume, Patrick Süskind

72. The Ragged Trousered Philanthropists, Robert Tressell

73. Night Watch, Terry Pratchett

74. Matilda, Roald Dahl

75. Bridget Jones’s Diary, Helen Fielding

76. The Secret History, Donna Tartt

77. The Woman In White, Wilkie Collins

78. Ulysses, James Joyce

79. Bleak House, Charles Dickens

80. Double Act, Jacqueline Wilson

81. The Twits, Roald Dahl

82. I Capture The Castle, Dodie Smith

83. Holes, Louis Sachar

84. Gormenghast, Mervyn Peake

85. The God Of Small Things, Arundhati Roy

86. Vicky Angel, Jacqueline Wilson

87. Brave New World, Aldous Huxley

88. Cold Comfort Farm, Stella Gibbons

89. Magician, Raymond E Feist

90. On The Road, Jack Kerouac

91. The Godfather, Mario Puzo

92. The Clan Of The Cave Bear, Jean M Auel

93. The Colour Of Magic, Terry Pratchett

94. The Alchemist, Paulo Coelho

95. Katherine, Anya Seton

96. Kane And Abel, Jeffrey Archer

97. Love In The Time Of Cholera, Gabriel García Márquez

98. Girls In Love, Jacqueline Wilson

99. The Princess Diaries, Meg Cabot

100. Midnight’s Children, Salman Rushdie

Leave a Comment

Filed under Writing